
plate no. 6093
Balthus, 1958
Recreating this painting will help students develop skills in capturing a likeness, understanding color temperature, and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering fabric and interior details.
technical profile
approach — 8 steps
Lightly sketch the main shapes and composition, focusing on proportions and placement.
Block in the large areas of color, starting with the background and then the figure.
Establish the basic values, paying attention to the light and shadow patterns.
Refine the shapes and details of the face, chair, and other objects.
Add layers of color to create depth and dimension.
Work on the details of the fabric folds and patterns.
Adjust the values and colors as needed to create a cohesive and harmonious painting.
Add final highlights and details to complete the painting.
color palette
primary · yellow ochre · burnt umber · ultramarine blue · titanium white
secondary · cadmium red light · ivory black
Mix muted tones by combining primary colors with white and small amounts of complementary colors. Achieve the skin tones by mixing yellow ochre, cadmium red light, and white, adjusting the proportions to achieve the desired hue. Use ultramarine blue and burnt umber to create the darker shades in the clothing and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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