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home·artworks·Portrait of Baroness Alain de Rothschild
Portrait of Baroness Alain de Rothschild by Balthus

plate no. 6093

Portrait of Baroness Alain de Rothschild

Balthus, 1958

oilExpressionismportraitportraitfigureinteriorchairtablebust
some experience helpful

Recreating this painting will help students develop skills in capturing a likeness, understanding color temperature, and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering fabric and interior details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and then the figure.

  3. step 03

    Establish the basic values, paying attention to the light and shadow patterns.

  4. step 04

    Refine the shapes and details of the face, chair, and other objects.

  5. step 05

    Add layers of color to create depth and dimension.

  6. step 06

    Work on the details of the fabric folds and patterns.

  7. step 07

    Adjust the values and colors as needed to create a cohesive and harmonious painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red light · ivory black

Mix muted tones by combining primary colors with white and small amounts of complementary colors. Achieve the skin tones by mixing yellow ochre, cadmium red light, and white, adjusting the proportions to achieve the desired hue. Use ultramarine blue and burnt umber to create the darker shades in the clothing and background.

techniques

  • ·blocking in
  • ·layering
  • ·color mixing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of depth by not layering colors effectively.
  • →Overworking the details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium red light, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g. Liquin)

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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