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home·artworks·Portrait of Arnold Schonberg
Portrait of Arnold Schonberg by Richard Gerstl

plate no. 8989

Portrait of Arnold Schonberg

Richard Gerstl, 1906

oilExpressionismportraitportraitfigureclothingchairbackgroundcarpet
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabrics, and creating texture with brushstrokes. It also provides practice in capturing likeness and conveying a sense of mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall color scheme with a thin underpainting using burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, chair, and background.

  4. step 04

    Begin layering and blending colors to create depth and form, paying attention to light and shadow.

  5. step 05

    Add details to the face, hands, and clothing, refining the likeness and texture.

  6. step 06

    Work on the background, creating a sense of depth and atmosphere with subtle color variations.

  7. step 07

    Add final highlights and shadows to enhance the overall effect.

  8. step 08

    Review and adjust the painting as needed to achieve the desired result.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · viridian · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, titanium white, and a touch of cadmium red. Create the dark browns of the clothing by mixing burnt umber, ivory black, and a touch of red. The background is achieved by mixing viridian, yellow ochre, and white.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·impasto

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the colors, resulting in a muddy effect.
  • →Ignoring the subtle color variations in the skin and clothing.
  • →Failing to capture the likeness of the subject.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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