
plate no. 8989
Richard Gerstl, 1906
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabrics, and creating texture with brushstrokes. It also provides practice in capturing likeness and conveying a sense of mood.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the overall color scheme with a thin underpainting using burnt umber or a similar earth tone.
Block in the main areas of color for the skin, clothing, chair, and background.
Begin layering and blending colors to create depth and form, paying attention to light and shadow.
Add details to the face, hands, and clothing, refining the likeness and texture.
Work on the background, creating a sense of depth and atmosphere with subtle color variations.
Add final highlights and shadows to enhance the overall effect.
Review and adjust the painting as needed to achieve the desired result.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · yellow ochre · viridian · ivory black
Achieve skin tones by mixing burnt umber, raw sienna, titanium white, and a touch of cadmium red. Create the dark browns of the clothing by mixing burnt umber, ivory black, and a touch of red. The background is achieved by mixing viridian, yellow ochre, and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.
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