apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Anna Pavlova
Portrait of Anna Pavlova by Alexandre Jacovleff

plate no. 4256

Portrait of Anna Pavlova

Alexandre Jacovleff, 1915

oilNeoclassicismportraitfigureballerinatutuarchitectureportraitstairs
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate fabrics. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the figure, the tutu, and the architectural background.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the figure's features, paying attention to proportions and subtle details.

  4. step 04

    Develop the tutu, using layers of thin paint to create the illusion of transparency and volume.

  5. step 05

    Add details to the architectural background, focusing on perspective and light.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Add final details, such as the ballerina's hair and jewelry.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · titanium white · ivory black · raw umber

secondary · yellow ochre · cadmium yellow light · alizarin crimson

Achieve the subtle grays and creams by mixing white with small amounts of black, umber, and yellow ochre. Use thin glazes of alizarin crimson to add warmth to the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the tutu appear flat and lifeless.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Chinese God

A Chinese God

Alexandre Jacovleff

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini