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home·artworks·Portrait of Andreas Vurlumis
Portrait of Andreas Vurlumis by George Mavroides

plate no. 0634

Portrait of Andreas Vurlumis

George Mavroides, 1960

oilExpressionismportraitportraitfiguremanclothingbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing with a limited palette, and capturing likeness through expressive brushstrokes. It also encourages simplification of forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with thin washes of color.

  3. step 03

    Begin building up the darker areas of the clothing and background.

  4. step 04

    Mix skin tones using a limited palette and apply them to the face and hands.

  5. step 05

    Refine the facial features, paying attention to the light and shadow.

  6. step 06

    Add details to the clothing and background, maintaining the loose, expressive style.

  7. step 07

    Adjust the overall color harmony and value contrast.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones using white, raw sienna, and small amounts of burnt umber and cadmium red. Vary the proportions to create different values and hues. Use burnt umber and white for the dark clothing, adding a touch of red for warmth.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the overall value structure and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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