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home·artworks·Portrait of Amadeo Modigliani (possibly by Jeanne Hébuterne)
Portrait of Amadeo Modigliani (possibly by Jeanne Hébuterne) by Jeanne Hébuterne

plate no. 4098

Portrait of Amadeo Modigliani (possibly by Jeanne Hébuterne)

Jeanne Hébuterne, 1919

oilExpressionismportraitportraitfiguremanhatclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using color to create form. It also provides practice in layering and blending paint to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, hat, and shoulders.

  2. step 02

    Establish the background with a thin wash of muted browns and yellows.

  3. step 03

    Block in the main areas of color for the face, hat, and clothing, using a limited palette.

  4. step 04

    Begin to refine the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Add details to the hat and clothing, using thicker paint and more visible brushstrokes.

  6. step 06

    Blend and soften edges to create a sense of atmosphere and depth.

  7. step 07

    Add highlights and shadows to enhance the form and create contrast.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive portrait.

color palette

primary · raw umber · yellow ochre · titanium white · burnt sienna

secondary · ivory black · cadmium red light

Mix raw umber and yellow ochre to create the base tone for the skin. Add white to lighten and red to warm the complexion. Use black and umber to create shadows.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the underlying structure of the face.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2-6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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