apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a young woman with red hat
Portrait of a young woman with red hat by Paula Modersohn-Becker

plate no. 5357

Portrait of a young woman with red hat

Paula Modersohn-Becker, 1900

oilExpressionismportraitportraitwomanhatclothingfigureface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle gradations and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Establish the background color with a thin wash of ochre and umber.

  3. step 03

    Block in the main areas of color: skin, hat, clothing, and hair.

  4. step 04

    Refine the skin tones by layering and blending different shades of yellow, red, and white.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying attention to the subtle shadows and highlights.

  6. step 06

    Define the edges of the hat and clothing, using darker values to create contrast.

  7. step 07

    Add texture to the fur collar with short, broken brushstrokes.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ivory black · sap green

Mix skin tones using yellow ochre, burnt umber, titanium white, and a touch of cadmium red. Achieve the hat color by mixing cadmium red with burnt umber and a touch of black.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·soft edges
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to capture the subtle variations in value and color.
  • →Making the edges too sharp and defined.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor