
plate no. 5357
Paula Modersohn-Becker, 1900
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle gradations and soft edges.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, hat, and shoulders.
Establish the background color with a thin wash of ochre and umber.
Block in the main areas of color: skin, hat, clothing, and hair.
Refine the skin tones by layering and blending different shades of yellow, red, and white.
Add details to the face, such as the eyes, nose, and mouth, paying attention to the subtle shadows and highlights.
Define the edges of the hat and clothing, using darker values to create contrast.
Add texture to the fur collar with short, broken brushstrokes.
Make final adjustments to the values and colors to create a sense of depth and realism.
color palette
primary · yellow ochre · burnt umber · titanium white · cadmium red
secondary · ivory black · sap green
Mix skin tones using yellow ochre, burnt umber, titanium white, and a touch of cadmium red. Achieve the hat color by mixing cadmium red with burnt umber and a touch of black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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