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home·artworks·Portrait of a Young Girl Wearing a Mauve Doek
Portrait of a Young Girl Wearing a Mauve Doek by Maggie Laubser

plate no. 2931

Portrait of a Young Girl Wearing a Mauve Doek

Maggie Laubser

oilExpressionismportraitportraitfigureheadscarfgirlclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in capturing the likeness and expression of a subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, headscarf, and shoulders onto the canvas.

  2. step 02

    Establish the background color with a thin wash of green and brown.

  3. step 03

    Block in the main areas of color for the skin, headscarf, and clothing, focusing on the overall values.

  4. step 04

    Begin to refine the skin tones by layering and blending different shades of brown, red, and yellow.

  5. step 05

    Add highlights and shadows to the headscarf to create a sense of volume and texture.

  6. step 06

    Define the facial features, paying attention to the shapes of the eyes, nose, and mouth.

  7. step 07

    Add details to the clothing and background, such as folds and highlights.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and expressive portrait.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · violet · sap green

Skin tones are achieved by mixing burnt umber, cadmium red, yellow ochre, and white. The headscarf uses violet mixed with white and touches of blue. The background is a mix of sap green, burnt umber, and white.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·visible brushstrokes
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Getting the proportions of the facial features wrong.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2-6
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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