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home·artworks·Portrait of a young girl
Portrait of a young girl by Romualdo Locatelli

plate no. 1235

Portrait of a young girl

Romualdo Locatelli, 1939

oil, canvasExpressionismportraitfiguretreeportraitfoliageheadscarf
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing skin tones and using expressive brushstrokes to create form and texture. It also provides practice in creating a sense of depth and atmosphere through color and value variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the tree.

  2. step 02

    Establish the background with loose, gestural brushstrokes, using a mix of greens, yellows, and browns.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomical landmarks.

  4. step 04

    Begin to refine the skin tones, using a limited palette of earth tones and white, and layering colors to create depth and warmth.

  5. step 05

    Add details to the face, focusing on capturing the likeness and expression of the subject.

  6. step 06

    Develop the texture of the tree bark using dry brush techniques and varied brushstrokes.

  7. step 07

    Refine the clothing and headscarf, paying attention to the folds and shadows.

  8. step 08

    Add final highlights and details to enhance the overall sense of realism and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · sap green · ivory black

Mix skin tones by blending burnt umber, raw sienna, and titanium white. Use yellow ochre and sap green for the foliage, and add ivory black to darken the shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating muddy or dull skin tones by overmixing colors.
  • →Failing to establish a clear sense of light and shadow.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·ivory black oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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