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home·artworks·Portrait of a Woman on a Blue Background
Portrait of a Woman on a Blue Background by Chaim Soutine

plate no. 7379

Portrait of a Woman on a Blue Background

Chaim Soutine, 1928

oil, canvasExpressionismportraitportraitfigurewomanclothinghandsface
some experience helpful

Recreating this painting will help students practice expressive brushwork and learn how to simplify complex forms into basic shapes and colors. It also provides an opportunity to explore color temperature and create depth using value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure: head, neck, shoulders, and hands.

  2. step 02

    Block in the background with a dark blue, varying the tone slightly for interest.

  3. step 03

    Establish the main areas of light on the face, neck, and hands with a warm yellow-orange.

  4. step 04

    Add darker values to define the shadows on the face and clothing, using a mix of blue and brown.

  5. step 05

    Introduce secondary colors like green and red to add depth and complexity to the skin tones and clothing.

  6. step 06

    Refine the details of the face and hands, paying attention to the expressive brushstrokes.

  7. step 07

    Add highlights to the face and hands to create a sense of form.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired mood and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · viridian green · alizarin crimson

Mix ultramarine blue with burnt sienna to create dark shadows. Use yellow ochre and burnt sienna to create warm skin tones. Add small amounts of alizarin crimson for warmth and viridian green for cool shadows.

techniques

  • ·expressive brushstrokes
  • ·color layering
  • ·value blocking
  • ·wet-on-dry blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value contrast.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, yellow ochre, burnt sienna, alizarin crimson, viridian green, titanium white)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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