apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Woman in a Black Tie
Portrait of a Woman in a Black Tie by Amedeo Modigliani

plate no. 8153

Portrait of a Woman in a Black Tie

Amedeo Modigliani, 1917

oil, canvasExpressionismportraitportraitwomanfigureclothinghairtie
some experience helpful

Recreating this painting will help students practice simplified form representation and expressive brushwork. It also provides an opportunity to explore color mixing for skin tones and subtle background variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, focusing on proportions and pose.

  2. step 02

    Block in the background with a muted green-brown color, varying the tones slightly.

  3. step 03

    Establish the skin tones with a base layer of light ochre, adding touches of red for the cheeks and lips.

  4. step 04

    Paint the hair with dark brown and black, using loose, expressive brushstrokes.

  5. step 05

    Define the shirt with white, adding subtle shadows with gray and green.

  6. step 06

    Paint the black tie with bold, confident strokes.

  7. step 07

    Refine the facial features, paying attention to the simplified forms and subtle shading.

  8. step 08

    Add final details and adjust colors as needed to match the original painting.

color palette

primary · raw umber · titanium white · cadmium red light · yellow ochre

secondary · ivory black · sap green

Mix skin tones by blending yellow ochre, titanium white, and a touch of cadmium red light. Create background variations by mixing raw umber, sap green, and white.

techniques

  • ·simplified form
  • ·expressive brushwork
  • ·color blending
  • ·scumbling
  • ·layering

common pitfalls

  • →overworking the details
  • →getting the proportions wrong
  • →using too much detail in the background
  • →muddying the colors

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint for smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor