
plate no. 6261
Maggie Laubser, 1922
This painting offers a good exercise in capturing likeness through simplified shapes and color blocking. Students can practice mixing skin tones and creating form with visible brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, hair, and clothing.
Block in the background color with a thin wash.
Establish the main areas of light and shadow on the face using simplified color blocks.
Mix and apply skin tones, focusing on the transitions between light and shadow.
Paint the hair, using dark tones and visible brushstrokes to suggest texture.
Add details to the clothing and jewelry, paying attention to color and form.
Refine the facial features, focusing on the eyes, nose, and mouth.
Add final highlights and shadows to enhance the overall form and depth.
color palette
primary · titanium white · burnt umber · cadmium red · yellow ochre
secondary · ultramarine blue · viridian green · cadmium yellow
Mix skin tones by combining white, red, yellow ochre, and a touch of umber. Use blue and green to create cool shadows. Achieve the hair color by mixing burnt umber and black, adding touches of blue for depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.
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