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home·artworks·Portrait of a Man with the Medal of Cosimo
Portrait of a Man with the Medal of Cosimo by Sandro Botticelli

plate no. 8019

Portrait of a Man with the Medal of Cosimo

Sandro Botticelli, 1474

wood, temperaEarly Renaissancereligious paintingportraitmanmedallandscapeclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle shading, as well as understanding atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the medal.

  2. step 02

    Block in the background landscape with thin washes of color, establishing the atmospheric perspective.

  3. step 03

    Establish the basic skin tones of the face and hands, paying attention to the light and shadow.

  4. step 04

    Begin layering the colors in the clothing, building up the dark greens and folds.

  5. step 05

    Add details to the hair, using thin brushstrokes to create texture and volume.

  6. step 06

    Carefully paint the medal, focusing on the details of the portrait and the gold tones.

  7. step 07

    Refine the facial features, adding highlights and shadows to create depth and expression.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · raw umber · yellow ochre · titanium white · cadmium red

secondary · viridian green · cerulean blue · ivory black

Mix skin tones using yellow ochre, raw umber, and white, with touches of red for warmth. Create the green clothing by mixing viridian green with ivory black and raw umber. Achieve the gold tones of the medal by layering yellow ochre and raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth in the landscape.
  • →Inaccurate rendering of the medal details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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