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home·artworks·Portrait of a Man (The Condottiero)
Portrait of a Man (The Condottiero) by Antonello da Messina

plate no. 1590

Portrait of a Man (The Condottiero)

Antonello da Messina, 1475

oil, panelEarly Renaissanceportraitportraitmanfacehairclothingrenaissance
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value transitions, and capturing a likeness. It also provides practice in rendering textures and creating a sense of depth through careful shading.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
5

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and placement of the head, shoulders, and facial features.

  2. step 02

    Block in the large areas of color, starting with the background and then the skin tones, hair, and clothing.

  3. step 03

    Gradually build up the values in the face, paying close attention to the light and shadow patterns.

  4. step 04

    Refine the facial features, focusing on the eyes, nose, and mouth.

  5. step 05

    Add details to the hair and clothing, such as individual strands of hair and folds in the fabric.

  6. step 06

    Blend the edges of the forms to create a smooth, realistic effect.

  7. step 07

    Add highlights to the face and hair to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and balanced composition.

color palette

primary · ivory black · raw umber · yellow ochre · burnt sienna

secondary · titanium white · cadmium red light

Skin tones are achieved by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of raw umber for shadows. The black clothing and background are primarily ivory black, lightened with small amounts of raw umber for subtle variations.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong, especially the placement of the facial features.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Using too much contrast, which can make the painting look harsh and unnatural.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will help to achieve the desired level of detail.

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oil painting for beginners →how to learn by studying the masters →
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