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home·artworks·Portrait of a Man, Berlin
Portrait of a Man, Berlin by Maggie Laubser

plate no. 8493

Portrait of a Man, Berlin

Maggie Laubser, 1923

oilExpressionismportraitportraitmanfigureclothingformal wearbackground
some experience helpful

Recreating this painting will help students understand how to simplify forms into planes of color and how to use color temperature to create highlights and shadows. It also provides practice in capturing a likeness with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the shapes and adding more detail to the face and clothing.

  4. step 04

    Introduce subtle color variations within each area to create depth and interest.

  5. step 05

    Define the highlights and shadows with bold, expressive brushstrokes.

  6. step 06

    Pay close attention to the edges of the forms, varying their sharpness to create a sense of depth.

  7. step 07

    Add final details, such as the eyes and the bow tie.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · ivory black

secondary · titanium white · viridian green · burnt sienna

Mix various shades of skin tones by combining yellow ochre, cadmium red, and titanium white. Use ultramarine blue and ivory black to create the dark tones of the suit. Mix viridian green with yellow ochre and white for the eye color.

techniques

  • ·blocking in
  • ·color mixing
  • ·expressive brushstrokes
  • ·planar analysis
  • ·color temperature

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Getting the proportions wrong in the initial sketch.
  • →Ignoring the subtle color variations within each area.
  • →Being too timid with the brushstrokes.
  • →Not paying attention to the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. If using oil paints, allow the painting to dry completely before varnishing.

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oil painting for beginners →how to learn by studying the masters →
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