apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Girl
Portrait of a Girl by Guan Zilan

plate no. 0632

Portrait of a Girl

Guan Zilan, 1929

oilFauvismportraitportraitfiguredogclothingchairdrapery
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing the essence of a subject using simplified forms and bold brushstrokes. It also provides practice in painting fabric patterns and rendering a portrait with expressive color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the figure, dog, and background elements.

  2. step 02

    Block in the main colors of the background, figure, and clothing using broad strokes.

  3. step 03

    Begin layering colors to create depth and dimension, focusing on the interplay of light and shadow.

  4. step 04

    Add details to the face, hands, and dog, using smaller brushstrokes to define features.

  5. step 05

    Develop the patterns on the clothing, using a variety of colors and brushstrokes to create visual interest.

  6. step 06

    Refine the background and add any final details to complete the painting.

  7. step 07

    Step back and assess the overall composition, making any necessary adjustments to balance the colors and shapes.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · viridian green · orange · black

Mix various shades of blue by combining ultramarine with white or black. Create orange by mixing cadmium red and yellow ochre. Achieve skin tones by blending white, yellow ochre, and a touch of red.

techniques

  • ·color layering
  • ·broken color
  • ·expressive brushwork
  • ·simplified forms
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and neglecting the overall composition.
  • →Using colors that are too saturated or muddy.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis