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home·artworks·Portrait of A.A.Cherkesovoy-Benoit
Portrait of A.A.Cherkesovoy-Benoit by Zinaida Serebriakova

plate no. 0103

Portrait of A.A.Cherkesovoy-Benoit

Zinaida Serebriakova, 1938

oilExpressionismportraitportraitfigurehatclothingskylandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to suggest form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, focusing on the subtle variations in color and value.

  4. step 04

    Work on the clothing, paying attention to the folds and drapery.

  5. step 05

    Paint the hat, capturing its shape and texture.

  6. step 06

    Develop the background, suggesting the sky and landscape with loose brushstrokes.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix skin tones by blending burnt sienna, raw umber, cadmium red, and titanium white. Use ultramarine blue and white for the sky. Create the hat color with burnt sienna, raw umber, and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Ignoring the subtle variations in color and value.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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