apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait de Fernande Olivier
Portrait de Fernande Olivier by Kees van Dongen

plate no. 7231

Portrait de Fernande Olivier

Kees van Dongen, 1905

oilFauvismportraitportraitfigurewomantowelhatskin tones
some experience helpful

Recreating this painting will help students understand how to simplify forms and use color to create expressive skin tones. It also provides practice in capturing a likeness with simplified shapes and bold brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and background, paying attention to proportions.

  2. step 02

    Block in the large areas of color, starting with the background and then the figure.

  3. step 03

    Mix and apply the skin tones, using a variety of colors to create depth and interest.

  4. step 04

    Define the features of the face, simplifying the shapes and using bold colors.

  5. step 05

    Add details to the towel and hat, using short, choppy brushstrokes.

  6. step 06

    Refine the edges of the shapes and blend the colors where necessary.

  7. step 07

    Add final highlights and shadows to create a sense of form.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · yellow ochre · red · gray · black

secondary · blue · green · white

Mix skin tones by combining yellow ochre, red, and white, with small amounts of green or blue to create shadows. Achieve the gray by mixing black and white.

techniques

  • ·alla prima
  • ·broken color
  • ·color mixing
  • ·simplification of form
  • ·expressive brushwork

common pitfalls

  • →Over-blending the colors
  • →Getting bogged down in details
  • →Not simplifying the forms enough
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse