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home·artworks·Port of La Ciotat
Port of La Ciotat by Georges Braque

plate no. 3494

Port of La Ciotat

Georges Braque, 1907

oilFauvismmarinaboatswaterbuildingsharborskyships
some experience helpful

This painting is great for practicing simplified forms and using color to define shapes instead of relying on realistic shading. Students will learn to capture the essence of a scene with bold, expressive brushstrokes and non-naturalistic color choices.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, boats, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, water, and land using thin washes.

  3. step 03

    Start adding the darker values to define the shapes of the buildings and boats.

  4. step 04

    Introduce the brighter, more saturated colors to create visual interest and contrast.

  5. step 05

    Use short, directional brushstrokes to add texture and movement to the water and sky.

  6. step 06

    Refine the details of the boats and buildings, paying attention to the reflections in the water.

  7. step 07

    Add final highlights and shadows to enhance the depth and dimension of the painting.

  8. step 08

    Step back and adjust the colors and values as needed to achieve a harmonious composition.

color palette

primary · cadmium red · ultramarine blue · cadmium yellow · titanium white

secondary · viridian green · alizarin crimson · yellow ochre

Mix greens by combining blues and yellows. Vary the intensity of colors by mixing with white or complementary colors. Use red and green to create darker tones.

techniques

  • ·broken color
  • ·color mixing
  • ·expressive brushwork
  • ·simplified forms
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Creating muddy colors by overmixing.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Acrylics are easier to clean up, but oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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