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home·artworks·Pope Boniface VIII Receiving St Louis of Toulouse as a Novice
Pope Boniface VIII Receiving St Louis of Toulouse as a Novice by Ambrogio Lorenzetti

plate no. 3624

Pope Boniface VIII Receiving St Louis of Toulouse as a Novice

Ambrogio Lorenzetti, 1327

oilProto Renaissancereligious paintingfiguresarchitecturereligious sceneinteriortable
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth using subtle value changes. It also provides practice in rendering drapery and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement of figures and architectural elements.

  2. step 02

    Establish the basic shapes and proportions of the figures, focusing on their poses and interactions.

  3. step 03

    Block in the main areas of color, using thin washes to establish the overall tonal range.

  4. step 04

    Begin to refine the details of the figures, adding shadows and highlights to create form.

  5. step 05

    Work on the architectural elements, paying attention to perspective and the play of light and shadow.

  6. step 06

    Add details to the clothing and accessories, using fine brushstrokes to create texture and pattern.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Achieve the muted tones by mixing earth pigments with white. Use thin washes of burnt sienna to create warm shadows and highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details too early.
  • →Ignoring the overall composition and tonal range.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·painting medium

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned ground to create a more unified color palette.

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related guides

oil painting for beginners →how to learn by studying the masters →
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