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home·artworks·Madonna and Child
Madonna and Child by Ambrogio Lorenzetti

plate no. 6192

Madonna and Child

Ambrogio Lorenzetti, 1345

oilInternational Gothicreligious paintingfigurereligiousMadonnachildhalodrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating a sense of depth through subtle value changes. It also provides an opportunity to study the color palette and techniques used in early Renaissance painting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and the halo.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and yellow ochre.

  3. step 03

    Block in the main areas of color: the Madonna's robe, the child's swaddling clothes, and the drapery.

  4. step 04

    Begin to refine the forms of the faces and hands, paying close attention to the subtle shifts in value.

  5. step 05

    Add the details of the drapery folds and the patterns on the Madonna's robe.

  6. step 06

    Create the striped pattern on the child's swaddling clothes.

  7. step 07

    Add the halo and any other decorative elements.

  8. step 08

    Apply a thin glaze of burnt umber to create an aged effect.

color palette

primary · burnt sienna · yellow ochre · ivory black · titanium white

secondary · cadmium red light · raw umber

Mix burnt sienna and yellow ochre to achieve the warm background tone. Use white and black to create the grey tones for the faces and hands. Add a touch of red to the grey for the Madonna's face.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle shifts in value that create form.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·burnt sienna acrylic paint
  • ·yellow ochre acrylic paint
  • ·ivory black acrylic paint
  • ·titanium white acrylic paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use a high-quality canvas and acrylic paints for best results. Consider using a retarder medium to slow down the drying time of the acrylics, allowing for more blending.

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