apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Polish Girl
Polish Girl by Chaim Soutine

plate no. 6004

Polish Girl

Chaim Soutine, 1929

oil, canvasExpressionismportraitportraitfigurewomanclothinghairface
some experience helpful

This painting offers a chance to practice expressive brushwork and color mixing to create a mood. Students can learn to simplify forms and focus on capturing the essence of the subject rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure on the canvas with a light pencil.

  2. step 02

    Block in the background with varying shades of blue, using loose brushstrokes.

  3. step 03

    Establish the main areas of light and shadow on the face and body with thin washes of color.

  4. step 04

    Mix and apply the skin tones, focusing on the subtle variations in color and value.

  5. step 05

    Paint the dark clothing, using a mix of blues and blacks, and pay attention to the folds and shadows.

  6. step 06

    Add details to the hair, using short, expressive brushstrokes to create texture and volume.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · ultramarine blue · titanium white · burnt sienna · alizarin crimson

secondary · yellow ochre · ivory black

Mix blues and white for the background. Use crimson and sienna for skin tones, adding white for highlights and blue for shadows. Mix blues and black for the clothing.

techniques

  • ·expressive brushwork
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·painting easel
  • ·photo reference

Use good quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor