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home·artworks·PLASTA AUTORRETRATO
PLASTA AUTORRETRATO by Ramon Oviedo

plate no. 3311

PLASTA AUTORRETRATO

Ramon Oviedo, 2004

oilExpressionismself-portraitportraitfigurefacered backgrounddramatic lighting
experienced study

Recreating this painting will help students develop skills in creating subtle value shifts and using expressive brushstrokes to convey emotion and form. It also provides practice in mixing muted color palettes and creating a focal point through contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a solid red ground.

  2. step 02

    Lightly sketch the basic shapes of the figure and the surrounding form.

  3. step 03

    Block in the darkest values using a mix of burnt umber and black, focusing on the shadows.

  4. step 04

    Begin layering in mid-tones using mixes of white, burnt sienna, and small amounts of red.

  5. step 05

    Gradually build up the highlights, using lighter tones and paying attention to the form's contours.

  6. step 06

    Refine the details of the face, focusing on capturing the expression.

  7. step 07

    Add subtle drips and streaks to enhance the sense of fluidity and distortion.

  8. step 08

    Review and adjust the overall balance of values and colors.

color palette

primary · burnt sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Achieve the muted tones by mixing small amounts of complementary colors (red and green, yellow and purple) into your primary colors. Use white to lighten values and black to darken them, but use black sparingly.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early.
  • →Creating harsh lines instead of soft transitions.
  • →Using too much black, resulting in a muddy appearance.
  • →Failing to capture the subtle value shifts that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas with a red ground will help unify the painting and create a warm undertone.

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