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home·artworks·Piraeus Harbor at Dawn
Piraeus Harbor at Dawn by Mahmoud Saiid

plate no. 2509

Piraeus Harbor at Dawn

Mahmoud Saiid

oilExpressionismmarinaharborshipsbuildingswaterskysmoke
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, ships, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint.

  3. step 03

    Block in the main color areas for the sky, water, and buildings.

  4. step 04

    Develop the atmospheric perspective by layering lighter, cooler tones in the distance.

  5. step 05

    Add details to the ships and buildings, focusing on their shapes and values.

  6. step 06

    Create the reflections in the water using horizontal brushstrokes and similar colors to the objects above.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as the smoke and small details on the ships.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre

Mix ultramarine blue and burnt umber to create the muted blues and grays of the sky and water. Use white to lighten these colors and create highlights. Add small amounts of cadmium red and yellow ochre to create the warmer tones in the buildings and ships.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the reflections too literal and not capturing the subtle variations in color and value.
  • →Failing to establish a clear value structure early on.
  • →Using colors that are too saturated and not muted enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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