
plate no. 9774
George Mavroides, 1971
Recreating this painting will help students develop skills in color mixing for skin tones and capturing likeness with simplified forms. It also provides practice in using visible brushstrokes to create texture and form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.
Block in the background with a thin wash of brown.
Establish the main skin tone using a mix of white, yellow ochre, and a touch of red.
Add shadows and highlights to the face, paying attention to the planes of the face.
Paint the hair using dark browns and blacks, with highlights of lighter browns and yellows.
Block in the pink blouse and white collar, adding subtle variations in color and value.
Refine the details of the face, such as the eyes, nose, and mouth.
Add final touches and highlights to the hair and clothing.
color palette
primary · titanium white · yellow ochre · burnt sienna · raw umber
secondary · alizarin crimson · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Vary the proportions to create highlights and shadows. Add a touch of blue to darken shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Ensure adequate ventilation when working with oil paints and solvents.
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