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home·artworks·Pilgrim Church by the Sea
Pilgrim Church by the Sea by Maria Bozoky

plate no. 5236

Pilgrim Church by the Sea

Maria Bozoky, 1992

inkExpressionismportraitportraitchurchbuildingfigurelandscapetrees
some experience helpful

Recreating this painting will help students develop skills in expressive linework and layering transparent washes to create depth and form. It also encourages a loose, gestural approach to capturing a subject.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, church, and basic landscape elements.

  2. step 02

    Apply a light wash of diluted yellow ochre to the church and surrounding areas.

  3. step 03

    Add washes of burnt sienna and raw umber to define the shadows and architectural details of the church.

  4. step 04

    Using a fine brush or pen, create expressive linework to define the edges of the church, figure, and trees.

  5. step 05

    Apply washes of diluted black or Payne's gray to the figure's clothing, building up the darker values.

  6. step 06

    Add touches of red and pink to the figure's scarf and the foliage to create visual interest.

  7. step 07

    Use a dry brush technique to add texture to the landscape and the church walls.

  8. step 08

    Refine the details and add final touches of color and linework to complete the painting.

color palette

primary · yellow ochre · burnt sienna · raw umber · black

secondary · red · pink · blue

Achieve the muted tones by diluting the primary colors with water. Mix burnt sienna and raw umber for the building shadows. Use highly diluted black for the figure's clothing.

techniques

  • ·expressive linework
  • ·watercolor washes
  • ·dry brush texture
  • ·layering
  • ·wet-on-dry

common pitfalls

  • →Overworking the washes and losing transparency.
  • →Creating muddy colors by mixing too many colors together.
  • →Being too precise with the linework and losing the expressive quality.
  • →Ignoring the importance of value contrast to create depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints or inks
  • ·round brushes (various sizes)
  • ·fine liner pen
  • ·water container
  • ·palette

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. Experiment with different types of ink for the linework.

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