
plate no. 5236
Maria Bozoky, 1992
Recreating this painting will help students develop skills in expressive linework and layering transparent washes to create depth and form. It also encourages a loose, gestural approach to capturing a subject.
technical profile
approach — 8 steps
Lightly sketch the main shapes: figure, church, and basic landscape elements.
Apply a light wash of diluted yellow ochre to the church and surrounding areas.
Add washes of burnt sienna and raw umber to define the shadows and architectural details of the church.
Using a fine brush or pen, create expressive linework to define the edges of the church, figure, and trees.
Apply washes of diluted black or Payne's gray to the figure's clothing, building up the darker values.
Add touches of red and pink to the figure's scarf and the foliage to create visual interest.
Use a dry brush technique to add texture to the landscape and the church walls.
Refine the details and add final touches of color and linework to complete the painting.
color palette
primary · yellow ochre · burnt sienna · raw umber · black
secondary · red · pink · blue
Achieve the muted tones by diluting the primary colors with water. Mix burnt sienna and raw umber for the building shadows. Use highly diluted black for the figure's clothing.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use good quality watercolor paper to prevent buckling. Experiment with different types of ink for the linework.
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