apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Piccadilly Gardens
Piccadilly Gardens by L. S. Lowry

plate no. 4315

Piccadilly Gardens

L. S. Lowry, 1954

oilNaïve Art (Primitivism)cityscapecityscapebuildingsfiguresparkfountainsky
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive atmosphere. Students will also learn how to create a sense of depth using atmospheric perspective and varying the size of figures.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, fountain, and park layout using light pencil lines.

  2. step 02

    Block in the sky and ground with thin washes of diluted paint.

  3. step 03

    Establish the horizon line and the general placement of the buildings.

  4. step 04

    Add the larger buildings, focusing on their basic shapes and proportions.

  5. step 05

    Paint the fountain and surrounding area, paying attention to the light and shadow.

  6. step 06

    Add the figures in the park, using simple shapes and lines to represent them.

  7. step 07

    Add details to the buildings, such as windows and architectural features.

  8. step 08

    Refine the colors and values throughout the painting, adding highlights and shadows as needed.

color palette

primary · titanium white · payne's gray · raw umber

secondary · cadmium red light · yellow ochre

Mix payne's gray and white for the sky and ground. Use raw umber for the buildings and park details. Add small touches of red and yellow for accents.

techniques

  • ·dry brushing
  • ·scumbling
  • ·simplified shapes
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Making the figures too realistic.
  • →Using too many colors.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·reference photo print

A slightly textured canvas can help to create a more interesting surface for the painting. Use a limited palette to capture the muted colors of the original painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden