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home·artworks·Pfortensteg in Chemnitz
Pfortensteg in Chemnitz by Ernst Ludwig Kirchner

plate no. 5325

Pfortensteg in Chemnitz

Ernst Ludwig Kirchner

oilExpressionismcityscapecityscapebuildingsbridgewaterarchitecturenight
some experience helpful

Recreating this painting will help students understand how to use bold brushstrokes to define shapes and create a sense of depth, as well as how to simplify complex scenes into basic forms and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and bridge, focusing on proportions and perspective.

  2. step 02

    Block in the large areas of color: dark blue for the sky, yellow for the illuminated buildings, and green for the ground.

  3. step 03

    Add the darker values to define the shadows and architectural details of the buildings.

  4. step 04

    Paint the bridge and water, using horizontal strokes to suggest the reflections.

  5. step 05

    Refine the details of the buildings, adding windows and other architectural elements.

  6. step 06

    Use short, broken brushstrokes to create texture and visual interest.

  7. step 07

    Add final highlights to enhance the sense of light and shadow.

  8. step 08

    Step back and adjust the colors and values as needed to achieve a cohesive composition.

color palette

primary · yellow ochre · ultramarine blue · cadmium red

secondary · viridian green · burnt umber

Mix various shades of yellow by adding small amounts of red or green. Create darker blues by mixing ultramarine with burnt umber. Achieve the pinkish-red hues by mixing cadmium red with white and a touch of yellow.

techniques

  • ·blocking in
  • ·broken brushstrokes
  • ·color mixing
  • ·simplification
  • ·impasto

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to establish a strong value contrast, resulting in a flat image.
  • →Using colors straight from the tube without mixing them, leading to a less harmonious palette.
  • →Incorrect perspective on the buildings and bridge.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·rags
  • ·apron

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Acrylics will dry faster, while oils allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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