apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Petite Fille
Petite Fille by Michel Kikoine

plate no. 4341

Petite Fille

Michel Kikoine, 1950

oilExpressionismportraitportraitfiguregirlhairclothingbow
some experience helpful

Recreating this painting will help students develop skills in portraiture, loose brushwork, and capturing likeness with simplified forms. It also provides practice in mixing skin tones and creating a sense of depth with subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's head, shoulders, and features.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Start refining the skin tones, using a mix of warm and cool colors to create depth and form.

  4. step 04

    Add details to the hair, using loose brushstrokes to suggest texture and movement.

  5. step 05

    Define the features of the face, paying attention to the placement and shape of the eyes, nose, and mouth.

  6. step 06

    Work on the clothing, using a limited palette to create a sense of unity.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Refine the overall composition, making sure that the focal point is clear and that the painting is balanced.

color palette

primary · burnt sienna · titanium white · raw umber

secondary · cadmium red · ultramarine blue · yellow ochre

Mix skin tones by combining burnt sienna, titanium white, and small amounts of cadmium red and yellow ochre. Use ultramarine blue and raw umber to create shadows and cool tones.

techniques

  • ·loose brushwork
  • ·color mixing
  • ·portraiture
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Getting the proportions wrong and distorting the likeness of the subject.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to capture the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt sienna, titanium white, raw umber, cadmium red, ultramarine blue, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor