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home·artworks·Perfil de Zulmira
Perfil de Zulmira by Lasar Segall

plate no. 9816

Perfil de Zulmira

Lasar Segall, 1928

oilExpressionismportraitportraitfigureprofilegeometric shapesabstract background
some experience helpful

Recreating this painting will help students practice portraiture with simplified forms and explore color relationships in both the figure and background. It also provides an opportunity to learn about creating depth through layering and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure's head and shoulders, and the basic geometric forms in the background.

  2. step 02

    Block in the large areas of color for the skin tone, hair, dress, and background, focusing on getting the values generally correct.

  3. step 03

    Refine the skin tones by layering different shades of brown, red, and purple, paying attention to the subtle shifts in value.

  4. step 04

    Add details to the face, such as the eye, nose, and mouth, using darker values to define the features.

  5. step 05

    Develop the background by adding more layers of color and texture to the geometric shapes.

  6. step 06

    Add the small details, such as the buttons on the dress and the decorative elements in the background.

  7. step 07

    Refine the edges of the shapes and forms to create a sense of depth and dimension.

  8. step 08

    Add final highlights and shadows to enhance the overall composition.

color palette

primary · red · brown · white · yellow

secondary · purple · orange · ochre

Achieve the skin tones by mixing browns, reds, and purples with white. Use yellow and white to create the lighter background elements. Mix orange and brown for the darker background areas.

techniques

  • ·color layering
  • ·blocking in
  • ·simplified forms
  • ·warm and cool color contrast
  • ·edge control

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Ignoring the subtle shifts in value and color.
  • →Not creating enough contrast between the figure and the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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