apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pequot Light House, Connecticut Coast
Pequot Light House, Connecticut Coast by Robert Henri

plate no. 0184

Pequot Light House, Connecticut Coast

Robert Henri, 1902

oilAmerican Realismlandscapelighthouseseacloudsboatcoastlinesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a cloudy day. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the lighthouse, boat, and coastline.

  2. step 02

    Block in the large shapes of the sky, water, and land with diluted washes of color.

  3. step 03

    Establish the darkest values in the foreground and the lightest values in the sky to create depth.

  4. step 04

    Develop the cloud formations with visible brushstrokes, using a range of grays and greens.

  5. step 05

    Add details to the lighthouse and boat, paying attention to their form and light.

  6. step 06

    Refine the coastline and foreground, adding texture and detail with dry brush techniques.

  7. step 07

    Adjust the overall color balance and value relationships to create a sense of atmosphere.

  8. step 08

    Add final highlights to the lighthouse and sails to draw the viewer's eye.

color palette

primary · ivory black · titanium white · yellow ochre

secondary · viridian green · ultramarine blue

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of yellow ochre, viridian green, or ultramarine blue to create subtle color variations in the sky and water.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the colors too saturated and bright.
  • →Failing to establish a strong value contrast.
  • →Not simplifying the complex shapes of the clouds and coastline.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·odorless mineral spirits

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent

Road to Asgaard   Adirondack

Road to Asgaard Adirondack

Rockwell Kent

Todd Shipyard

Todd Shipyard

Alexander Calder