apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pennsylvania Excavation
Pennsylvania Excavation by George Bellows

plate no. 4066

Pennsylvania Excavation

George Bellows, 1907

oilAmerican Realismlandscapeexcavationcityscapesmokemachinerysnowfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and using a limited palette to create a sense of depth and mood. It also provides practice in capturing the texture of different surfaces with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Block in the large areas of value, starting with the darkest darks and lightest lights.

  3. step 03

    Establish the atmospheric perspective by layering lighter, cooler tones in the distance.

  4. step 04

    Define the shapes of the buildings and excavation site with thicker paint and bolder strokes.

  5. step 05

    Add details to the machinery and figures, paying attention to their form and placement.

  6. step 06

    Create the smoke effects by blending soft, wispy strokes of white and gray.

  7. step 07

    Refine the highlights and shadows to enhance the contrast and create a sense of depth.

  8. step 08

    Add final details and textures to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Achieve the various gray tones by mixing black and white in different proportions. Add small amounts of raw umber or yellow ochre to warm up the grays, and Payne's gray to cool them down.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·value blocking
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent

Road to Asgaard   Adirondack

Road to Asgaard Adirondack

Rockwell Kent

Todd Shipyard

Todd Shipyard

Alexander Calder