
plate no. 3570
This painting offers a good opportunity to practice limited palette painting and capturing form with light and shadow. Students can learn to simplify shapes and create a sense of depth using value variations.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure, doorway, and background, focusing on proportions.
Establish the main light source and map out the areas of light and shadow.
Block in the background with a thin wash of burnt umber and raw sienna.
Begin layering darker values on the figure and doorway, gradually building up the form.
Mix lighter tones to highlight the areas catching the light, such as the face and hands.
Refine the details of the clothing and features, paying attention to the direction of the brushstrokes.
Add the holy water container and other small details.
Adjust values and edges to create a cohesive and atmospheric effect.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ivory black · yellow ochre
Mix burnt umber and raw sienna in varying ratios to create the warm browns and earth tones. Add white to lighten the values and black to darken them. Use yellow ochre sparingly to add warmth to highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to allow for better blending and layering. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor