
plate no. 1617
Rafael Zabaleta, 1957
Recreating this painting will help students develop skills in figure drawing, color mixing to achieve skin tones, and using visible brushstrokes to create texture and form. It also encourages simplification of forms into geometric shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the three figures and their chairs onto the canvas.
Block in the main color areas for each figure and the background, focusing on overall tones rather than details.
Begin refining the shapes of the figures, paying attention to the angles and lines that define their forms.
Mix and apply the skin tones, using a limited palette and focusing on subtle variations in color and value.
Add details to the clothing, faces, and hands, using visible brushstrokes to create texture and depth.
Paint the background elements, such as the plates and the wall, using simplified shapes and colors.
Adjust the overall composition and color balance, making sure that the figures are well-integrated into the scene.
Add final details and highlights to complete the painting.
color palette
primary · yellow ochre · burnt umber · sap green
secondary · titanium white · ultramarine blue · cadmium red
Mix skin tones by blending yellow ochre, burnt umber, and titanium white. Use ultramarine blue and burnt umber to create dark greens and blacks. Add small amounts of cadmium red to warm up skin tones and greens.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette of oil paints to simplify the color mixing process.
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