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home·artworks·Peach Forest
Peach Forest by Lan Ying

plate no. 3951

Peach Forest

Lan Ying

oilInk and wash paintinglandscapemountainstreesblossomslandscapefigurearchitecture
experienced study

Recreating this painting will help students understand atmospheric perspective and how to create depth using subtle value changes. It also provides practice in rendering complex organic forms like trees and rocks with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm brown base color.

  2. step 02

    Lightly sketch the main mountain outlines and tree positions.

  3. step 03

    Begin blocking in the darkest values of the mountains and trees using a darker brown/green mixture.

  4. step 04

    Add lighter values to the mountains to create form and depth, using thin washes.

  5. step 05

    Paint the tree trunks and branches, paying attention to their structure and texture.

  6. step 06

    Apply small dabs of white paint to represent the blossoms, varying the density to create depth.

  7. step 07

    Add details to the architecture and figures using fine brushstrokes.

  8. step 08

    Glaze with thin washes of brown to unify the painting and create atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · viridian green · ivory black

Achieve the various earth tones by mixing burnt umber and raw sienna with varying amounts of white. Use viridian green sparingly to add depth to the mountains.

techniques

  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·washes

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Using too much white, making the painting look chalky.
  • →Ignoring the subtle value changes that create depth.
  • →Making the blossom details too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Using a pre-toned canvas will help to establish the warm, muted tones of the painting. Consider using a fast-drying medium to speed up the drying time of the glazes.

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