
plate no. 1395
Goran Margetic, 2018
Recreating this painting will help students develop skills in impasto techniques and expressive brushwork to convey texture and form. It also provides practice in simplifying a landscape into basic shapes and color blocks.
technical profile
approach — 8 steps
Sketch the basic composition, dividing the canvas into sky, mountains, and foreground.
Block in the sky with a mix of blues, grays, and white, using horizontal strokes.
Add the distant mountains with a dark purple/brown mix.
Apply thick layers of yellow, green, and orange to the field, using directional brushstrokes to suggest the terrain.
Create the path using lighter, warmer tones of brown and cream, applying paint thickly.
Add details to the foreground vegetation with darker greens and blues, using short, choppy strokes.
Refine the colors and values, adding highlights and shadows to create depth.
Add final touches and adjust the overall composition.
color palette
primary · ultramarine blue · yellow ochre · titanium white · burnt sienna
secondary · viridian green · alizarin crimson
Mix greens by combining yellow ochre and viridian green. Create browns by mixing burnt sienna with ultramarine blue. Vary the intensity of colors by adding white or complementary colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a heavy-bodied oil paint for best results with the impasto technique. Consider using a textured canvas to enhance the tactile quality of the painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor