
plate no. 0416
Chaim Soutine, 1928
Recreating this painting will help students develop skills in expressive brushwork and simplified portraiture, focusing on capturing the essence of the subject rather than precise realism. Students will also learn to mix skin tones with a limited palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, hair, and shoulders.
Block in the background with a thin layer of blue paint, using visible brushstrokes.
Establish the main areas of light and shadow on the face with a base layer of skin tone.
Add darker values to the hair and clothing, defining the shapes.
Introduce red and pink tones to the cheeks, lips, and nose for warmth.
Refine the features of the face, paying attention to the eyes and mouth.
Add highlights to the hair and face to create dimension.
Make final adjustments to the colors and values to achieve the desired effect.
color palette
primary · Prussian Blue · Titanium White · Burnt Sienna · Cadmium Red
secondary · Yellow Ochre · Ivory Black
Mix skin tones by blending white, burnt sienna, and a touch of red. Use Prussian blue and white for the background, varying the ratio for different shades. Add yellow ochre to the skin tone mix for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor