
plate no. 4222
Balthus, 1960
Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Sketch the basic shapes of the hills, fields, and buildings, paying attention to perspective.
Apply a thin wash of diluted burnt umber or raw sienna to tone the canvas.
Block in the large areas of color, starting with the sky and distant hills.
Layer in the colors of the fields, using variations of yellow, brown, and green.
Paint the building with simplified shapes and colors, focusing on light and shadow.
Add details to the foreground, such as the trees and bushes, using dry brush techniques.
Refine the overall composition and adjust the values to create depth.
Add final details and highlights to complete the painting.
color palette
primary · yellow ochre · burnt sienna · ultramarine blue
secondary · raw umber · titanium white · cadmium yellow
Mix the greens by combining yellow ochre and ultramarine blue. Use white to lighten colors and create highlights. Burnt sienna and raw umber can be mixed to create earth tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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