apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Parque Municipal De Belo Horizonte
Parque Municipal De Belo Horizonte by Alberto da Veiga Guignard

plate no. 7318

Parque Municipal De Belo Horizonte

Alberto da Veiga Guignard, 1942

oilExpressionismlandscapetreesparkfigurespathfoliagearchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to convey texture and movement. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the park scene.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin adding details to the trees, foliage, and figures, using short, expressive brushstrokes.

  4. step 04

    Layer colors to create depth and variation in the foliage and ground.

  5. step 05

    Refine the details of the figures and architectural elements.

  6. step 06

    Add highlights and shadows to create contrast and dimension.

  7. step 07

    Pay attention to the edges of shapes, softening some and sharpening others.

  8. step 08

    Step back and assess the overall composition, making adjustments as needed.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix greens by combining sap green with yellow ochre or ultramarine blue. Achieve earth tones by blending raw umber with burnt sienna and white.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating a flat, uniform color palette without enough variation.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to simplify the complex scene into basic shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor