
plate no. 2220
Arturo Souto, 1951
Recreating this painting will help students develop skills in tonal value studies and expressive mark-making using a limited palette. It also provides practice in capturing the essence of a subject through simplified forms.
technical profile
approach — 8 steps
Lightly sketch the main shapes and composition, focusing on proportions and placement of the figures and lamp.
Establish the darkest areas with a diluted dark brown or black wash, paying attention to the background and shadows.
Build up the mid-tones using progressively less diluted washes, defining the forms of the figures and the lamp.
Use dry brush techniques to create texture and detail in the background and clothing.
Add the darkest accents with concentrated pigment, emphasizing the contours and features.
Refine the details of the faces, paying attention to the eyes and expressions.
Soften edges and blend tones where needed to create a sense of atmosphere.
Add final highlights to enhance the contrast and create a focal point.
color palette
primary · raw umber · ivory black · titanium white
secondary · burnt sienna
Achieve the various tones by diluting raw umber and ivory black with water or solvent. Use white sparingly to create highlights and lighter areas. Burnt sienna can be added in small amounts to warm up the tones.
techniques
common pitfalls
surface · heavyweight paper or primed canvas
required
optional
Use a textured paper or canvas to enhance the dry brush effect. Experiment with different dilutions of paint to achieve a range of tonal values.
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