
plate no. 0577
Mario Zanini, 1962
Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using color to define form and create depth. It also offers practice in capturing the essence of a scene with expressive brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings, hills, and sky, focusing on proportions and placement.
Establish the horizon line and the main lines of perspective for the buildings.
Block in the large areas of color for the sky, hills, and buildings, using thin washes.
Add darker values to define shadows and create depth in the buildings and hills.
Introduce secondary colors to add interest and variation to the color palette.
Refine the details of the buildings, such as windows and roofs, using smaller brushes.
Add the figures on the bridge, paying attention to their proportions and placement.
Apply final touches and highlights to enhance the overall composition and create a sense of light.
color palette
primary · yellow ochre · ultramarine blue · titanium white · burnt umber
secondary · cadmium yellow · viridian green · cadmium red
Mix various shades of yellow ochre with white and small amounts of red or blue to create the different tones for the buildings. Use ultramarine blue and white for the sky, and mix it with green for the hills. Burnt umber is used for the roofs and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Acrylics are beginner-friendly, while oils offer richer colors and blending capabilities.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor