apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Painting (Head of Man)
Painting (Head of Man) by Francis Bacon

plate no. 9515

Painting (Head of Man)

Francis Bacon, 1950

oilExpressionismportraitportraitheadfiguredark background
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and understanding of value to create form. It also encourages exploration of non-traditional portraiture.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head and shoulders.

  2. step 02

    Establish the darkest areas of the background with a thin wash of black or dark gray.

  3. step 03

    Begin blocking in the white areas of the face with bold, visible brushstrokes.

  4. step 04

    Use a dry brush technique to create texture and blend edges of the white paint.

  5. step 05

    Add subtle variations in value to the face using grays and off-whites to define form.

  6. step 06

    Define the eyes and other facial features with small amounts of dark paint.

  7. step 07

    Refine the shapes and values of the shoulders and neck.

  8. step 08

    Add any final details or adjustments to the composition.

color palette

primary · titanium white · ivory black

secondary · payne's gray · raw umber

Mix different shades of gray by combining black and white in varying proportions. Use raw umber to warm up the grays slightly.

techniques

  • ·dry brush
  • ·scumbling
  • ·value study
  • ·expressive brushwork

common pitfalls

  • →Over-blending the white areas, losing the expressive brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Not establishing a strong value contrast.
  • →Focusing too much on realistic representation and not enough on expressive mark-making.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a canvas with a medium texture to enhance the dry brush effect. Consider using a toned canvas for a quicker start.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor