
plate no. 9515
Francis Bacon, 1950
Recreating this painting will help students develop skills in expressive brushwork and understanding of value to create form. It also encourages exploration of non-traditional portraiture.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head and shoulders.
Establish the darkest areas of the background with a thin wash of black or dark gray.
Begin blocking in the white areas of the face with bold, visible brushstrokes.
Use a dry brush technique to create texture and blend edges of the white paint.
Add subtle variations in value to the face using grays and off-whites to define form.
Define the eyes and other facial features with small amounts of dark paint.
Refine the shapes and values of the shoulders and neck.
Add any final details or adjustments to the composition.
color palette
primary · titanium white · ivory black
secondary · payne's gray · raw umber
Mix different shades of gray by combining black and white in varying proportions. Use raw umber to warm up the grays slightly.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to enhance the dry brush effect. Consider using a toned canvas for a quicker start.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor