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home·artworks·Pagoda in Kyoto
Pagoda in Kyoto by Toshi Yoshida

plate no. 8536

Pagoda in Kyoto

Toshi Yoshida, 1942

oilSōsaku hangalandscapepagodatreeswaterlandscapearchitecturereflection
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex shapes into basic forms. It also provides practice in capturing reflections in water.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the pagoda, the trees, the water line, and the small structure on the left.

  2. step 02

    Block in the sky with a light wash of pink and yellow, blending the colors softly.

  3. step 03

    Paint the pagoda using a muted gray-blue, adding darker tones to suggest shadows and details.

  4. step 04

    Add the trees with varying shades of green and blue, focusing on the overall shape rather than individual leaves.

  5. step 05

    Paint the water with a base of blue, then add reflections of the pagoda and trees using lighter and slightly blurred versions of their colors.

  6. step 06

    Add details to the foreground, such as the rocks and the small structure, using darker tones and finer brushstrokes.

  7. step 07

    Refine the details of the pagoda and trees, adding highlights and shadows to create depth.

  8. step 08

    Add final touches to the reflections in the water, ensuring they are soft and slightly distorted.

color palette

primary · sky blue · peach · gray

secondary · forest green · dark blue · light yellow

Mix muted grays by combining blue, brown, and white. Achieve the sky colors by blending pink, yellow, and white. Create the water color by mixing blue with a touch of green and gray.

techniques

  • ·layering
  • ·blending
  • ·color mixing
  • ·creating reflections
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, especially in the trees.
  • →Making the reflections too sharp and defined.
  • →Using colors that are too bright and saturated.
  • →Not establishing a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·retarder medium
  • ·easel

Use a smooth canvas for easier blending. Acrylics are recommended for their quick drying time, but oils could also be used.

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oil painting for beginners →how to learn by studying the masters →
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