apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Outside the Shop
Outside the Shop by Gerard Sekoto

plate no. 5400

Outside the Shop

Gerard Sekoto

oilSocial Realismgenre paintingfiguresbuildingsstreet scenebicycletreesdaily life
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding how to use warm and cool colors to create depth. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the sky and ground.

  3. step 03

    Add the basic shapes of the buildings and figures, using simplified forms.

  4. step 04

    Begin to refine the colors and values, paying attention to the light and shadow.

  5. step 05

    Add details to the figures, such as clothing and facial features.

  6. step 06

    Develop the textures of the buildings and ground with visible brushstrokes.

  7. step 07

    Add the bicycle and other smaller details.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive composition.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · cadmium red · raw umber

Mix yellow ochre with white for the lighter areas of the buildings and figures. Use burnt sienna and raw umber for the darker areas and shadows. Mix ultramarine blue with white to create the sky and clothing.

techniques

  • ·blocking in
  • ·color mixing
  • ·visible brushstrokes
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated.
  • →Overworking the details.
  • →Ignoring the light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#2, #6)
  • ·Flat brushes (#4, #8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to help create the visible brushstrokes. If using acrylics, work quickly as they dry faster.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

SONG DA HYDROELECTRIC

SONG DA HYDROELECTRIC

Tran Van Can

Police raid

Police raid

George Pemba

Belly Dancers

Belly Dancers

Nuri Iyem

Courtyard with Washing

Courtyard with Washing

John Bratby

Handball

Handball

Ben Shahn

The return of the penitent

The return of the penitent

Luke Fildes

Cross

Cross

Sue Coe

Commotion

Commotion

Philip Evergood