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home·artworks·On the Lappenbrink
On the Lappenbrink by Piet Mondrian

plate no. 3821

On the Lappenbrink

Piet Mondrian, 1899

gouachePost-Impressionismportraitportraitbuildingsskycloudsfigurestreet
some experience helpful

Recreating this painting will help students develop skills in portraiture, perspective, and color mixing to create a cohesive and atmospheric scene. It will also help in understanding how to simplify complex forms and capture the essence of a subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, buildings, and horizon line.

  2. step 02

    Establish the basic color blocks for the sky, buildings, and figure.

  3. step 03

    Begin layering the colors for the sky, blending blues and whites to create the cloud effect.

  4. step 04

    Add the base colors for the buildings, focusing on the red roofs and the lighter walls.

  5. step 05

    Start building up the details of the figure, paying attention to the highlights and shadows on the face and clothing.

  6. step 06

    Refine the details of the buildings, adding windows and architectural elements.

  7. step 07

    Add final touches to the figure, such as the details of the face and clothing.

  8. step 08

    Review and adjust the overall composition, ensuring that the colors and values are balanced.

color palette

primary · ultramarine blue · red · titanium white

secondary · raw umber · yellow ochre · light blue

Mix different shades of red by adding white or raw umber. Create the sky by mixing ultramarine blue with white and a touch of red for the pinkish hues.

techniques

  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details, which can make the painting look too busy.
  • →Not paying attention to the perspective of the buildings, which can make the composition look flat.
  • →Using colors straight from the tube without mixing, which can make the painting look unnatural.
  • →Ignoring the subtle variations in color and value, which can make the painting look dull.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gouache paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·palette knife
  • ·easel
  • ·medium retarder

Use good quality gouache paints for best results. A medium retarder can help to slow down the drying time of the gouache, allowing for more blending.

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related guides

color theory for painters →how to learn by studying the masters →
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