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home·artworks·On the front door
On the front door by Romualdo Locatelli

plate no. 6411

On the front door

Romualdo Locatelli, 1933

oil, canvasExpressionismgenre paintingfigureschildrendoorwaybasketsbuildingfamily
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with visible brushstrokes and creating a sense of depth through layering and color variations. It also provides practice in depicting figures in a naturalistic setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and the doorway.

  2. step 02

    Block in the main areas of color, starting with the darkest shadows and gradually moving to the lighter areas.

  3. step 03

    Develop the background, paying attention to the texture of the wall and the ground.

  4. step 04

    Refine the figures, adding details to their faces and clothing.

  5. step 05

    Work on the baskets, using short, broken brushstrokes to create a sense of texture.

  6. step 06

    Add highlights to the figures and objects to create a sense of depth and dimension.

  7. step 07

    Adjust the values and colors as needed to create a harmonious composition.

  8. step 08

    Add final details and refine the brushwork to capture the expressive style of the original painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix burnt umber and ultramarine blue for dark shadows. Use white to lighten colors and create highlights. Mix red and umber for the figure's clothing.

techniques

  • ·broken brushstrokes
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the expressive brushstrokes.
  • →Failing to capture the subtle color variations.
  • →Ignoring the importance of light and shadow.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint

optional

  • ·linseed oil
  • ·turpentine
  • ·palette

Use a medium-grit canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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