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home·artworks·On the Corner at Kožená, Prague
On the Corner at Kožená, Prague by Maria Bozoky

plate no. 0873

On the Corner at Kožená, Prague

Maria Bozoky, 1992

watercolorExpressionismcityscapefigurebuildingscityscapewindowsdoorsstreet
some experience helpful

Recreating this painting will help students practice loose watercolor washes and capturing the essence of a scene rather than precise detail. They will also learn to simplify complex architectural forms and use color to create depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the figure, focusing on proportions and placement.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the background buildings.

  3. step 03

    Add darker washes of burnt sienna and red to the doors and windows, allowing colors to blend and bleed.

  4. step 04

    Paint the figure's coat with a mix of red and brown, using loose brushstrokes to suggest texture.

  5. step 05

    Use a darker mix of brown and black for the hat and scarf, adding subtle shadows.

  6. step 06

    Define the edges of the buildings and figure with a fine brush and a slightly darker color.

  7. step 07

    Add details like window panes and facial features with a fine brush and diluted paint.

  8. step 08

    Allow the painting to dry completely and add any final touches or corrections.

color palette

primary · burnt sienna · yellow ochre · red

secondary · black · purple · green

Mix burnt sienna and yellow ochre for the warm building tones. Use red and brown to create the figure's coat. Mix purple with green to create the window panes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·color layering
  • ·simplified shapes
  • ·loose washes

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Using too much water and creating muddy colors.
  • →Not allowing the layers to dry properly before adding more paint.
  • →Being too precise with the initial sketch.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb or heavier)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·spray bottle

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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