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home·artworks·On the Beach under Purple Sky
On the Beach under Purple Sky by Istvan Farkas

plate no. 3807

On the Beach under Purple Sky

Istvan Farkas, 1934

oilExpressionismlandscapebeachskyfigurestreescloudsfurniture
some experience helpful

This painting provides practice in capturing a scene with loose, expressive brushstrokes and simplified forms. Students can focus on color mixing to create atmospheric perspective and capture the mood of the scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of key elements (trees, figures, furniture).

  2. step 02

    Block in the sky with broad strokes, blending browns, whites, and hints of blue.

  3. step 03

    Establish the sea with a base layer of dark blue, adding lighter blues and whites for highlights.

  4. step 04

    Paint the figures and furniture with simplified shapes and colors, using thicker paint for highlights.

  5. step 05

    Add the palm trees, using dark greens and browns for the trunks and lighter greens for the fronds.

  6. step 06

    Refine the foreground with variations of browns and tans, suggesting the texture of the sand or pavement.

  7. step 07

    Add details like the railing and any highlights on the figures or furniture.

  8. step 08

    Review and adjust the overall balance of colors and values.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green

Mix browns and whites for the sky, adding small amounts of blue for cooler tones. Create greens by mixing blue and yellow, adjusting the ratio for different shades of foliage. Use white to lighten colors and create highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·simplified forms
  • ·color mixing

common pitfalls

  • →overworking details
  • →using colors straight from the tube without mixing
  • →not establishing a clear focal point
  • →making the composition too symmetrical

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·rags
  • ·turpentine or mineral spirits (for oil paints)
  • ·varnish

Use a medium-grain canvas for better texture. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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