apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Woman from the Poorhouse in the Garden
Old Woman from the Poorhouse in the Garden by Paula Modersohn-Becker

plate no. 8525

Old Woman from the Poorhouse in the Garden

Paula Modersohn-Becker, 1906

oil, canvas, temperaExpressionismportraitfigureportraitflowersgardenold womanplants
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and using expressive brushstrokes to convey texture and emotion. It also encourages experimentation with color mixing to achieve a unique palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the tree-like form, and the flower bed.

  2. step 02

    Block in the background with thin washes of yellow and green, allowing some canvas to show through.

  3. step 03

    Establish the main colors of the figure's clothing and skin, using broad strokes.

  4. step 04

    Define the shapes of the flowers and leaves, paying attention to their simplified forms.

  5. step 05

    Add details to the face, focusing on capturing the expression.

  6. step 06

    Refine the textures of the clothing and background with visible brushstrokes.

  7. step 07

    Add final highlights and shadows to create depth.

  8. step 08

    Glaze with thin layers to adjust colors and values.

color palette

primary · red-orange · yellow · green · brown

secondary · pink · blue · purple

Mix various shades of green by combining yellow and blue with small amounts of brown or black. Achieve the red-orange by mixing red and yellow with a touch of brown. Create the skin tones by mixing brown, red, and yellow with white.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·simplification of forms
  • ·glazing

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.
  • →Not paying attention to the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: red, yellow, blue, brown, white, black
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use a limited palette to encourage color mixing and create a harmonious painting. Consider using a textured canvas to enhance the expressive brushstrokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor