
plate no. 7578
Otto Dix, 1923
This painting provides an opportunity to practice expressive line work and capturing form with limited color. Students can develop their understanding of anatomy and how to convey emotion through distortion.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the overall pose and composition.
Refine the sketch, adding more detail to the facial features and anatomical structure.
Apply a thin wash of diluted yellow ochre to the skin areas, creating a base tone.
Add shadows and depth using a mix of burnt umber and a touch of blue, focusing on areas like the eye sockets, cheekbones, and neck.
Use thin washes of blue and gray to create the background, allowing some of the paper to show through.
Enhance the linework with a fine brush or pen, emphasizing the contours and details of the figure.
Add highlights with a touch of white or light yellow, focusing on areas where light hits the skin.
Review and adjust the values and details, ensuring the overall expression and mood are conveyed effectively.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · ultramarine blue · payne's gray
Mix yellow ochre with small amounts of burnt umber and blue to create various skin tones. Use more blue to create cooler shadows.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure the colors blend smoothly. Experiment with different brush sizes to achieve various effects.
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