
plate no. 7897
Helene Schjerfbeck, 1907
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as simplifying backgrounds and creating atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main areas of color: skin tones, headscarf, clothing, and background.
Refine the skin tones by layering and blending colors, paying attention to subtle variations.
Add details to the face, such as the eyes, nose, and mouth.
Develop the background by adding layers of color and texture.
Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · raw umber · yellow ochre · ivory black
secondary · sap green · burnt sienna · cadmium yellow light
Mix skin tones using titanium white, yellow ochre, and a touch of burnt sienna. Create muted greens for the background by mixing sap green with raw umber and titanium white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor